The title En blanc et noir refers not only to the piano keys, but also had another meaning, as Debussy explained in a letter to Robert Gode: "These pieces need to draw their colour, their emotion, simply from the piano, like the 'greys' of Velázquez, if you understand me." Diego Velázquez, the 17th-century Spanish painter, achieved nuances of grey by shading black and white. The composer and Jean Roger-Ducasse performed the work for the first time under its shortened title on 21 December 1916 at another charity benefit (for prisoners of war) in the Paris home of Madame Georges Guiard. ![]() The first public performance took place on 9 March 1916 in the Casino St-Pierre in Geneva by Marie Panthès and Alexandre Mottu. The original title of the composition was Caprices en blanc et noir, and it was first performed under this title on 21 January 1916 at a private charity concert (to benefit struggling musicians) in the Paris salon of the Princesse de Polignac by Walter Morse Rummel and Thérèse Chaigneau (sister of Suzanne Chaigneau). By saying "Austro-Boches", Debussy mentioned Austrians and Germans together, influenced by a tendency among French intellectuals to boycott artists and art, literature and music from all German-speaking countries and focus on French traditions. In a letter dated 22 July 1915, Debussy wrote to his publisher Jacques Durand, shortly before offering him the composition, that he thought that the "Austro-Boches" were on their last legs and that the French soul would always remain clear and heroic. Around the same time, during a late flourish in his prolific output, he composed his Cello Sonata, Sonata for flute, viola and harp, and the piano Études, to which En blanc et noir is often compared. In the second movement, he quoted Martin Luther's hymn "Ein feste Burg ist unser Gott", known in English as " A Mighty Fortress Is Our God", as a reference to Lutheran Germany. The work is a late fruit of his experience as a pianist and composer, and it contains many personal allusions which have not been completely deciphered. France had been at war since 3 August 1914, and emotions were heated against everything German. The three movements were dedicated respectively to three people: Serge Koussevitzky, Jacques Charlot (an associate of Debussy's publisher who was killed in the war), and Igor Stravinsky.ĭebussy composed En blanc et noir at his vacation residence on the Normandy coast between 4 and 20 June 1915. In the second movement, Debussy quoted Luther's hymn " Ein feste Burg ist unser Gott" as a symbol of militant Lutheran Germany. Each movement comes with a literary motto. The work is full of personal literary and musical allusions. He composed the work on the Normandy coast, suffering from cancer and concerned about the involvement of France in the Great War. 142, is a suite in three movements for two pianos by Claude Debussy, written in June 1915. ![]() Q: Can I still purchase the old Blindfold White Blend?Ī: Yes, there are a few bottles left in our inventory.En blanc et noir ( French: English: "In White and Black"), L. We’re excited to continue producing new, white wines under the new Blindfold label. Q: Will you continue to produce the old Blindfold White Blend?Ī: No, 2019 was our last vintage of this blend and label. We hope you enjoy our new Blindfold Blanc de Noir as much as we do! ![]() Our packaging juxtaposes the soft, flowing form of a blindfold with the strength of a metallic plate, as our brand celebrates the strength in softness and the power in delicacy. The result is a beautiful wine that gives you all the bright fruit and acidity of an early harvested Pinot Noir, in a crisp and delicate white wine expression.Ī white wine as elegant as our still Blanc de Noir deserves a light an elegant package as well, which is why we have chosen to transition to a new look for this brand of white wines. In our true unconventional nature, our winemaking team was thrilled at the challenge to make a white wine from traditional red wine grapes. ![]() The idea of Blindfold was born from this thinking – do what was least expected and introduce light, vibrant and elegant wines in a way only The Prisoner Wine Company can: a still Blanc de Noir, or a white Pinot Noir. Our red wines showcase this philosophy, but an opportunity exists to explore this in the world of white wines. At The Prisoner Wine Company, we are focused on reinventing traditional ways of thinking about wine and continuously look for new ways to present the familiar.
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